atmosphärischer techno mit crossoverpotential & darko esser mix. hier ein paar brauchbare schubladen: house, detroit, nujazz, elektro.

2006 was an exceptional year for axel. as well as singles on his own omega audio imprint, he also released singles and remixes on mb electonics, intec, tcp recordings & primate recordings. 2007 offers more of the same for him !!

the massive dance floor classic from armand van helden get revamped with a brand new hard driving tribal beat and some intense sawtooth synth stabs combined with a brutal build that will knock your head right off

phat percussive filtered tribal techno / limited backstock !!

numero group rolls right along with their new 12 series, banging your head once again with this super rare oldschool rap gem originally released on the t.s.o.b. label in 1980. put on your cazals and rock rock, y all. includes vocal and instrumental mixes

tom novy and tv rock with their hands on the snap classic includes mischa daniels remix

reworks by ata, cassy, arto mwambe!! steve bug charts + big support from all over!!! fact is that ata/sasse rework a jahcoozi track,upvalues this 12inch with extra rarity bonus points, because usually ata only produces very infrequently and selected remixes. they put your record player in shallow, well-tempered water, while fine sand tickles the nail. now and then you can listen to a groovy, fart-sounding simmer when a warm dubby summerbreeze waves through your ntilnian head. the ex-nord ntiln dj arto mwambe puts all eggs in one basket: modern-bombast! a jingling glockenspiel and fucked-up stottered vocals – all covered up with a squelching drone…

2 excellent mixes by zedd head honcho joey negro himself who turns the tracks into 2 wicked disco versions a side also features an acapella tool

this new detroit label starts with a wonderful 3 tracker of atmospheric house music by label head keith worthy himself. thumpin, percussive detroit house with an early morning touch a must have

electronic broken b boy action from one half of 4 hero. tough beats, old school stabs, guaranteed to put you on your back or head.

a stunning 3 track ep. >enter the night< provides a very funky vibe. with minimal feel, typified in cuts (yeah, shake a leg!), this records kicks off with a house rhythm before a bristling bass really starts driving the piece along. a smoke filled voice soon comes in, throwing the listener off talking about nights and exits or no exits while the track >no exits< on b2 is a fine and dark mixture of crisp beats and glitchy percussion to create a forceful groove as spluttery synth stabs keep up the incessant pressure. cuts of mazi s vocal twist things just that bit more evil as the house edged mood continues its push further into new depths of mayhem. the driving melody in >sarabbath< on b1 is quite a head-turner and should create a stir in the clubs, using the more minimal and melody side of this great 12inch

one of the best flicker rhythm. finest groovin techhouse to techno mover with head spacin strings and remixes by afrilounge and marc depulse

go!freitag is not a label in the traditional sense of the world, its a statement, even a commitment. a commiment to accept a blury, pounding head on saturday, feeling sick after too much party on friday

following succesful releases on robsoul and black crack, canada s loopity goofs bring the heat to the greenhouse on this solid three track ep. already seeing solid support from dj mark farina and the likes the diversity on this ep will keep it in the box for months to come. >gotta move it< is a straight up bleepy jacker with some nice vocal elements thrown on top. >shake it up< is the funky head nodder with it s rhodes vibe and sub bass. and rounding it off is >this time< with it s dark funk, live sax and shuffling beats

basement jaxx red alert and wheres your head at rerub by distek & zoran

john >julius< knight returns to the production forefront with his highly anticipated soulfuric trax ep >trax for my head<. >trax for my head< features three very diverse productions and is set to capture the attention of a wide range of djs, making this ep a perfect example of jjk s ability to create varied sounds to maximum effect. >the cut< rolls in as a captivating >french kiss< style tune, that fuses classic house sounds with contemporary beats, making this a seriously gripping instrumental-only track. most likely the biggest surprise production-wise, >the rush< is a laid-back but equally powerful tech cut. the blend of atmospheric sounds, tight beats and a driving bassline creates a sublime musical weapon. with >what is love< jjk delivers a prime-time bomb, that is set to create some real heat on the dancefloors. uplifting strings and a pumping bassline build the core of this explosive production

played by the dahlbäcks, zoo brazil, c. lekebusch… >couldn t care less<: squelching synths and a ruckus beat that jacks you like a wack on the head pulse through the electryfied bodies until they glide in to an epic, spacious breakdown with sunset synths – and thrown straight back into the twitching beats that complement the fanfares of wild burping basses that push you over the edge. >jattedansen<: if you prefer to happily shuffle on the mad side of things, opt for the chugging, squelching nip-and-tuck of >chunky little thing< that grooves in stop-and-go fashion straight into those hotstepping dancing feet. organ stabs and squeaky, choppy synths make this a mind bending slow burner that grooves without mercy

ok no rest for the wicked, time for another instilment of immigrant machine funk… this time it s todd bodine s first solo ep for immigrant records, >the spring ep<. on remix duty we pass the baton to clever music head honcho and all round nice guy mark-henning (clever, freude am tanzen, einmaleins, clever)

played by james mowbray, jeff samuel, john tejada!! news from the anti claves-biter fraction: sub static-label boss falko brocksieper follows suit and warms up for the next album-quantum-leap, however, as a finger exercise first, there is this small, fine ep with three elegantly knitted smashers for the dj from world. as usual this man simply shakes the funk out of the sleeves, so he can afford to pass big music already for the aperitif, which is always best for the meal, right? >esque< builds up the break culture quite high, without falling however, as the pleasantly massaging bass foundation stands firmly against wind and tide. this is the club counterpart to the lightning rod, bundling the crowd s attention perfectly and focusing it to one point, between a glass of vodka (located at the dj-booth) and the horizon (in the head, man, in the head!)

audiomatique welcomes uros umek! his reputation as slovenias hottest dj & producer didn t remain unnoticed, as he is receiving glowing praise from djs all over the world. amongst a growing following of international admirers, his excellent and beautiful rocking tracks can be heard on nearly every dancefloor.>akul< kicks off with a percussive rhythm before a dark synth and a charismatic chord are driving the piece along. > complikator< is a relentless and dramatic backing of severe synths, rising pads and swirling noise. the bass is similarly intense, throbbing away before developing for a melodic break. it s quite a head-turner and will create a buzz in the clubs. welcome to audiomatique, umek

already played by ben parris,dario zenker,dominik eulberg, karotte, magda,mark henning !! argentina madness is taking over the world as the most pleasant >epidemic< the scene has met lately. the members of the tesh crew join einmaleins family delivering nothing but a quality release that is going to blow the dancefloors. igloo boss dilo and talented gurtz offers us on a side moscovitas, a track for the dancefloor with clicks, quirks and groovyness that makes your head move from sec 1. to complete this side a2 hosts cosacos, a more deep dark track with swirls and athmospheric cuts appropriate for late hour >damage<. on the other side we have dapayk (mo s ferry) interpreting moscovitas in his own way and the result is a remix that s nothing less than a dancefloor bomb with old school tempo and a game of the original sounds. a must

this is a 2 tracker with two mixes of the same track. the main theme of the track is almost 80s like synth melody lines and string pattern. the a side mix has an almost electro like feel with more laidback drums whereas the flipside attacks you more head on with its slamming drum groove and very full synth parts

thomash gee slams down and other nasty 4 tracker with furious drumprogramming and a hook that will blow your head clean off..

on >pause< a rich, analogue lead line underpins the whole groove, slowly evolving, flitting between octaves and driving the track forward. at only 122bpm there is real feeling of space, allowing the carefully balanced drums and highly detailed percussive loops to add urgency and detail. soulful yet haunting chords are worked into the arrangement, intertwining with the lead line to reach a sweaty, euphoric peak. isolée deconstructs wills chords, initially only using two from the full sequence, allowing him the musical freedom to switch effortlessly from lush melodic pads to acid laced stabs. isolees unparalleled attention to detail creates a slow burning and truly hypnotic deep house groove that is as much for the head as it is for the feet

sven wittekinds famous hard techno imprint continues the quality high output with a massive 4 tracker by sandy warez

after the amazing two tracker by audio werner comes here the next phat shot on hartchef !! finest harmonic groovin minimal tracks to rock your head and a nice rollin and jazzy influenced aside

after many years of waiting, treble o present the release of the highly sought after domu production by nicola kramer best in me.the sample string and strong melody see the rhythm section chilling a little, but the shuffle kicks in on the chorus, lifting it from a head nodder to a foot shuffler. included in this single is the hottest remix around at the moment by mr dego ranks and kaidi tatham, publicly known as dego and kaidi. here kaidi and dego fuse subtle keys with chunky beats that glide wistfully under nicolas haunting vocal. the bumpy groove gives it the dancefloor edge whilst its deep musicality gets the hairs standing on their very ends. trademark sounds from both artists in their own rights, a certified future classic

vol 3 of the excellent dark side of disco compilation feat some long lost dancefloor gems from the nu wave early 80s periode including soft cell, david byrne, the police, david bowie and many more a must have

on the second release from its remix imprint vr, berlins vakant label comes with the goods, turning out what might be its most far-out release to date - and at the same time, its most punishingly effective. going head to head, glasgows alex smoke and paris man tolga fidan tackle each others tracks, twisting up knotty rhythms and gauzy electro-acoustic sounds into a battered syntax that expresses one thing, move !!

side a) 1. weedis : weedis is so funky we can t still can t believe it s made in japan. breathtakingly smooth, broken, and deadly. side b) 1. wipe sherbet : ok… now re-read what we said about weedis and apply it to wipe sherbet, only this time add a scoop full of subtle melody (or raisins). side b) 2. snoop summer : a brooding, melodic and emotive track which will fill the head and clear the dancefloor

two slammin instrumentals from mr. ferrer grace this new double a sided ep of tracks from his forthcoming full length. this ep again showcases dennis diversity and distinct ability to go from uplifting spiritual deepness to hot,underground, deep, danceable, head nodding tech. >transitions< has that repititive synthy bassline with latin claps and afro styled percussion and gargled vocal sample. >destination< starts off with slapping rhythms, adds strings and middle eastern flavors then throws in parisian styled accordions. he meticulously assembles all these sounds and creates a smooth seamless boundary defying sound

full 8 track double vinyl album with slamming electronic clubtracks from techhouse & electronic techno !!!

maayan nidam aka miss fitz und der detroiter shaun reeves trafen sich in berlin und das resultat sind drei warme, druckvolle minimale 303er infizierte tech tracks !!

label head emerson joins holger nielson and holger flinsch(addon) who recently revitalised the legendary kiddaz.fm label with two great releases. after releases on micro.fon, hidden agenda and toratoratora, holger nielson aka holgi star now arrives on freak waves in combination with fellow producer holger flinsch from rotary cocktail. >paper bob< and >billy bob< are two strong super danceable techno tunes. cut 1 is the outstanding >bob s hope< catching you with the infectious minimal groove and cool vocals. in on remix duties is dj emerson steering the original into an mad groovy afterhours frenzy with a deep tough and a heavy bass drum & bassline

2 of the biggest names in breaks go head to head for this dirty breakbeat journey. full of dark beats and menacing synth lines this is not only different but slightly mad with its insane edits and daunting main line. theres 4 mixes to choose from including the original, a tech house/acid house mix from james talk, a tougher techno affair from marco bailey, and a mid paced piece of filth from the radioactive man

cool mashups between some vocal classics and recent electro house tracks for a lot of peaktime action not to be missed

das ist die musik aus frankreich die so schoen hat geprickelt in mein bauchnabel und so schoen hat geknallt in mein boxen..

deep, tribal, warm acid house, an inf ectuos summer groov e, on the f lip loco dice returns to the label with a special >chunk the funk< remix, smooth deep jazzy house remix. beautif ul deep tribal & hy pnotising that builds and grows into a deep acid head banger ... on the f lip locodice returns to the label he begun his career with of f ering us a lazy disco esque remix, inf used with touches of jazz, sunset, lounging or in the early hours of the morning, this will work

although he keeps his head just under the radar, jon cutler is not exactly against producing really big club tracks when he puts his mind to it. south slope sees him channel his energies into the kind of show stopping tracks that the likes of kerri chandler, dennis ferrer and quentin harris are famed for, but with a deft jazzy touch which they often ignore. the ibadan style groove is bedded in with a wonderful organ solo that serves to take the tune to the next level, while the dub mix drops the organ for a more shelter friendly tool

berlin s dj kaos joins salvatore principato from liquid liquid on percussion and captain comatose s khan on vocals for this long, epic disco number that meanders interestingly for many minutes before the song kicks in for the latter half of the track. the best of crazy disco in town : tom moulton can be jealous. plus a great brennan green re-edit and a « bad house » crazy mix from khan using old drum machines

great ghostly rec shirt boy head frontprint

great ghostly rec shirt boy head frontprint

with a phenomenal timing, milan based soundplant records new catalogue number is a release by two of the hottest artist in the underground dance music world today julian sanza from 2020 soundystem, silver city and ciudad feliz and simon baker, head of infant records and half of liptrick. with >pasadena groove< he offers a solo production that goes deep in the musical and melodic territory with a phenomenal irresistible disco-y and new wave-y bassline and a strong synth and lead line reminding 80s dance music fused with early techhouse.. simon baker comes with a more electro techhouse infected remix

da alle guten dinge drei sind, gibts hier die dritte >synaptic< auskopplung mit ebenfalls drei dicken peaktime tracks !!

>what s your number? (john selway remix)< his interpretation is hypnotising you from the first second on, always giving you that funky punch from the background,letting the manipulated vocals fly through your head, slowly building up getting more and more drive – till you have the ultimate hypno-techno-monster – ready to setthe floors on fire! big: jesper dahlbäck, john dahlbäck, john anderson, cari lekebusch, zoo brazil, terence fixmer..

eveybody s gay... suggests however a musical idea that could not be simpler, a kind of atonal electronic blues with a recurring motif. yet, everything hinges on keyboards riffs and song rendering which allow d.i.p to bowl us over exultantly. if everybody s gay... is playing on self-restraint, on the b-side perfect day launches a head-on attack on the dancefloor with overworked disco-techno-rock intentions…and, present as always, those acid-electro-gut-wrenching tones. we can also notice that florian s personality shines out in broad daylight, as if it was possible, amazingly playing on voices. seducing and convincing. everybody is definitely ok: if a second ep is always a decisive test for a producer, d.i.p. compels recognition on the popular credibility form. moreover those little brats take advantage of the opportunity to sign right through the sheet

and another big two tracker from mister umek !!!

after a long while heres a new release from clairaudience with music provided by label head anthony nicholson aka miquifaya. taking a bit of a departure from anthonys standard deep tribal sounds he seems to go back in time to 90s chicago conjuring sonic images of classic labels prescription and balance. the a side keeps things moving with a grunty scat and grind of the organ while the flip stays straight chuggy with spacey synths and detroit esque strings. a perfect move forward for that deep soulful tech sound dominating of late

spektre are rich and paul maddox and they deliver a rockin three tracker with a emotional melodic techhouse number, a peak time growler with a dark, twisted bassline and a stripped down miniaml monster styled up with hypnotic highs and head fucking lows.